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o ovo is a cultural platform connecting London and Sao Paulo through artistic activations, interventions, collaborations and temporary states of collective obsession.


Conceived as an unstable territory between experiment and ritual,
o ovo brings together artists, musicians, image-makers, thinkers, night creatures and accidental participants to create encounters that resist fixed form.
Some projects become exhibitions, others become performances, conversations, screenings, parties, publications or things that exist only once and are never fully explained again.


o ovo is interested in process as much as outcome: the tension between cities, the poetry of mistranslation, the aesthetics of excess, intimacy, noise, delay, repetition and cultural drift.
It exists in transit — between languages, time zones, institutions and improvised dance floors.


More than a collective or curatorial structure, o ovo behaves like an incubation chamber for ideas still in formation. A space where coincidence is treated as methodology, where confusion can become language, and where artistic practice is allowed to remain porous, emotional and slightly unhinged.


Not everything needs to resolve.
Some things only need to crack open.


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Brought to you by

Brought to you by

Thaís Bambozzi is sensitive to details. Visual artist, psychoanalyst and poet. Based in Sao Paulo, Brazil, her artistic investigations take place between gesture and word, researching the spontaneity of gesture, the materiality of the invisible, and the search for the landscapes of the imaginary.


She graduated in Law from PUC-SP and Visual Arts from EPA, with a postgraduate degree in Art History from FAAP, and later completed her training in Psychoanalysis at CEP. She is currently pursuing a Master's degree on Art and Psychoanalysis in the Interunits Program in Aesthetics and Art History at the University of Sao Paulo.

Thaís Bambozzi is sensitive to details. Visual artist, psychoanalyst and poet. Based in Sao Paulo, Brazil, her artistic investigations take place between gesture and word, researching the spontaneity of gesture, the materiality of the invisible, and the search for the landscapes of the imaginary.


She graduated in Law from PUC-SP and Visual Arts from EPA, with a postgraduate degree in Art History from FAAP, and later completed her training in Psychoanalysis at CEP. She is currently pursuing a Master's degree on Art and Psychoanalysis in the Interunits Program in Aesthetics and Art History at the University of Sao Paulo.

Nathalia Bertazi Nathalia Bertazi is a Brazilian artist, curator and visual culture researcher based in London. Working across contemporary art, her practice explores how visual narratives operate socially and symbolically, shaping perception, desire, memory and forms of collective identification. Combining editorial experience, curatorial practice and artistic research, she focuses on symbolic communication, image circulation and audience interpretation across contemporary visual culture.


She holds a degree in Languages and Literature, a postgraduate diploma in Curating Contemporary Art and Arts of Social Engagement from UAL: Chelsea College of Arts, and an MA in Print from the Royal College of Art.


Nathalia Bertazi Nathalia Bertazi is a Brazilian artist, curator and visual culture researcher based in London. Working across contemporary art, her practice explores how visual narratives operate socially and symbolically, shaping perception, desire, memory and forms of collective identification. Combining editorial experience, curatorial practice and artistic research, she focuses on symbolic communication, image circulation and audience interpretation across contemporary visual culture.


She holds a degree in Languages and Literature, a postgraduate diploma in Curating Contemporary Art and Arts of Social Engagement from UAL: Chelsea College of Arts, and an MA in Print from the Royal College of Art.


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